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Over-censorship or welcome classification? What ‘Intermediary Rules 2021’ will mean for future of OTT content – Entertainment News , Firstpost

While specialists are expressing concern concerning the new OTT content guidelines infringing on proper to privateness and freedom of expression, filmmakers/showrunners, who (largely) had a free hand on streaming areas, are taking be aware of what they might or might not be capable to say within the close to future.

The Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021, had been unveiled by I&B Minister, Prakash Javadekar, at a press convention final Thursday. The ‘Intermediary Rules’ will supersede (in sure elements) the Information Technology (Intermediary Guidelines) Rules, 2011. Meant for a bigger oversight over Facebook, Twitter, and different social media platforms, the ambit of the foundations will now additionally cowl streaming platforms. Therefore, whereas specialists are expressing issues concerning the guidelines infringing about residents’ proper to privateness and freedom of expression, even filmmakers/showrunners, who (largely) had a free hand on streaming areas, are taking be aware of what they might or might not be capable to say of their movies/reveals within the close to future. 

“To stave off government regulation, OTT video streaming platforms have been trying to develop their own self-regulatory mechanism since January 2019 and there are at least 23 pending cases before different courts on this issue,” says Internet Freedom Foundation (IFF)’s Litigation Counsel, Devdutta Mukhopadhyay, additionally happening so as to add, “the new rules massively expand the scope of the previous 2011 Intermediaries Guidelines by bringing OTT video streaming platforms and online news media within its ambit.”

While the digital publication physique, DigiPub News India Foundation, has expressed its reservations concerning the 2021 guidelines, calling it a ‘strike on democracy itself’ in an open letter addressed to the Union ministers Prakash Javadekar and Ravi Shankar Prasad, the OTT platforms have been comparatively mum on the entire problem. It’s no shock, contemplating how Amazon Prime Video’s Head of India originals, Aparna Purohit, was denied anticipatory bail by the Allahabad HC on the identical day when these guidelines had been introduced.   

Pataal Lok poster. Image from Twitter

Casting director and actor, Abhishek Banerjee, who starred lately in two Amazon Prime Video reveals, Pataal Lok and Vishaanu (within the anthology, Unpaused), each of which had been important of the institution to various levels, expresses his fear concerning the guidelines. “When we were taught to be creative in school and colleges no one told us that our creativity could hurt sentiments, or that we need to be careful about what we think, what we write or what we create. My creative sentiments as an artist and an audience are hurt. Wonder who can I go and complain to,” he says.

It’s arduous to disregard the foundations being introduced on the again of the controversy round Amazon Prime Video’s Tandav. The present, starring Saif Ali Khan, Mohammed Zeeshan Ayyub and Dimple Kapadia amongst others, earned so much of flak on social media, for a scene that includes Indian gods. The showrunners instantly apologised and clipped the scene; nonetheless, a criticism was registered. Mukhopadhyay contends that the regulation of OTT video streaming platforms has been the topic of debate and dialogue even previous to the Tandav controversy. When I ask Banerjee about it, his response is immediate – “Oh isn’t it very apparent! The speed. The timing. I feel it’s also prejudice.”

Overcensorship or welcome classification What Intermediary Rules 2021 will mean for future of OTT content

Still from Tandav. Image from Twitter

The guidelines prescribe ‘classification’ of content, just like how theatrical movies are licensed. Content will be categorized as U, U/A7+, U/A13+, U/A16+ and A. 

Scam 1992 actor Shreya Dhanwanthary welcomes the choice to ‘certify’ content saying, “Why the hell not I’m much more on board for it, so that one has a sense of what they’re about to consume”, nonetheless, she’s a bit involved concerning the ‘monitoring’ side of the foundations. “Regulating anything ‘offensive’ sounds funny and scary to me because the scope for that word is too far and wide. Given recent events, people taking umbrage at anything that even remotely goes against what they believe in and demanding heads as penance is a scary rabbit hole. Censorship of any form, in my head, is a blatant violation against the foundations of the democratic principles our wonderful constitution and nation were built on.” 

Kanu Behl, director of Titli, agrees with Dhanwanthary’s feedback concerning the ranking system, and expresses comparable issues if the rankings method takes the form of censorship. “The ratings system was long overdue and takes a step in the right direction, as it places the onus on the viewer, rather than a censorship body. My long term wish though is that there aren’t further changes to it because eventually what the audience chooses to watch in the privacy of their homes is purely their wish.”

According to the foundations, there will be a 3-half grievance redressal system for any complainant.

At Level I, any grievance will be registered by a Grievance Redressal Officer inside 48 hours and both redress/elevate the matter to Level II inside 15 days. 

At Level II, a self-regulatory physique headed by a retired SC/HC choose shall have not more than six members, who’re specialists from media, broadcasting, know-how and leisure. The self-regulating physique shall warn/censure/admonish/reprimand the entity, require an apology, require disclaimers, modify content, if it notes a violation of code of ethics, or as a result of of any motive enumerated underneath Section 69A of the IT Act. 

At Level III, there will be an Inter-departmental Committee comprising representatives from the I&B Ministry, the Ministry of Women & Child, the Ministry of Law & Justice, the Ministry of Home Affairs, the Ministry of Electronics & Information Technology, Ministry of External Affairs, Ministry of Defence, the Indian Computer Emergency Response Team, and embrace area specialists as it might see match. Like the self-regulating physique at Level II, even this committee will train comparable powers to warn/censure/admonish/reprimand the entity, require an apology, require disclaimers, modify content, if it notes a violation of code of ethics, or as a result of of any motive enumerated underneath Section 69A of the IT Act. “The manner in which these guidelines have been issued is deeply worrying because they draw their power from Section 69A of the IT Act which is a blocking provision and does not contemplate creation of such an elaborate regulatory framework,” says Mukhopadhyay.

Mukhopadhyay additionally explains how the redressal framework may be skewed in favour of the govt., “The grievance redressal officers will receive a large volume of complaints from busybodies and they have to decide every complaint within 15 days. In this scenario, grievance redressal officers may err on the side of caution to avoid any future liability, and they may not give due importance to freedom of speech and expression. The composition of the second-tier self-regulating body needs the I&B Ministry’s approval prior for registration, which suggests a degree of government control. Finally, the third-tier Inter-Departmental Committee comprises entirely of bureaucrats and it doesn’t have any guaranteed judicial members or representatives from civil society. All these factors viewed together indicate that OTT platforms may play it safe and over censor to avoid being found at fault by a framework which lacks adequate procedural safeguards and tilts in favour of the government.”

Looking on the approach the Tandav controversy is enjoying out, one would not be stunned if extra reveals observe an analogous destiny. “These amendments suffer from several procedural and substantive problems and they definitely pose a threat to creative freedom. Since there is no underlying legislation enacted by Parliament for OTT video streaming platforms like the Cable Television Network Act, 1995 for TV or the Cinematograph Act, 1952 for films, there are no legislative guardrails to stop the executive branch from expanding the scope of the rules and censoring content it finds problematic.” Banerjee indicators off by saying, “I’m still hopeful, a creative mind is always hopeful. We’ll find a way, we have to.”


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